The piece resembles a piece of ancient Afghan jewelry or a piece of nomadic costume. The circular medallion in the center is surrounded by a raised ornament, tiny holes, and movable pendants, giving the piece a strong, ceremonial character.

The colored glass elements play a key role in the composition. The red center attracts the eye, the green eyelet caps the top of the pendant, and the turquoise dots add a typically oriental contrast. The white beads on the sides break up the weight of the aged metal and give the piece a more tribal, hand-assembled look.

The lower section is filled with numerous movable leaf-shaped, teardrop-shaped, and heart-shaped elements. When moved, the pendant moves gently, which is characteristic of Kuchi jewelry—the decoration is designed not only to look good but also to live in harmony with the body's movements.

The brass surface has a muted, patinated hue, with visible abrasions, darker areas, and signs of use. These imperfections give it its authenticity. This isn't a new, smooth piece of jewelry, but an old item with a distinct ethnic character.

The pendant can be worn on a leather strap, a thicker chain, or used as part of a larger handmade piece, textile decoration, or boho or tribal outfit. It works best as a striking accent for those who appreciate jewelry with history, color, and a rugged Afghan design.